The campaign your next season
actually deserves.

For opera houses, theatres & festivals

We design distinctive, illustration-led campaign systems for cultural institutions that need to stand out in a crowded season, and keep audiences coming back year after year.

Trusted by

The work on stage is extraordinary.
The campaign around it should be too.

Sound familiar?

You're not short on passion or ambition. Your programme is strong, your team works hard, and every season you put out something worth seeing. But somewhere between the artistic vision and the printed poster, something gets lost. The campaign ends up safe. Recognisable, maybe. Distinctive, not quite.

Brand systems & campaigns for cultural institutions and festivals.

What we do differently

Some clients need a visual identity built to grow across seasons. Others need one strong concept executed across every touchpoint of a single campaign. Either way, your audience should feel it came from one bold idea.

We're illustration-led, which means your campaigns don't look like stock-photo collages or AI-generated composites. They look like yours.

A simple and smooth process from start to finish

How we work

  • A person with shoulder-length blonde hair and a white shirt with colorful paint splatters is video chatting with a man who has glasses and a hoodie. They are in a room with a wall decorated with various colorful posters and artwork.

    01. We set the stage

    A deep-dive session into your season, your audience, and the story you need to tell.

  • A person is drawing with a black marker on a white piece of paper, holding a ring with a target design on their finger. The background shows a desk with various toys, pens, and small objects, including a blue bunny figurine and a white container filled with colorful markers.

    02. We build the campaign world

    Visual concept developed into a coherent campaign identity, not just a single asset.

  • Poster for Reel Good Film Fest on Saturday, April 22, with details about 25-minute film sessions, showing from 10 AM to 6:30 PM at Lido Cinemas, Hawthorn.

    03. We hand you the toolkit

    Every touchpoint adapted. Formatted and ready for your team to roll out without coming back to us for every resize.

  • Three people standing in front of a colorful festival backdrop, smiling for the camera. The man on the left is wearing a white T-shirt, the man in the middle has curly hair and glasses, and a brown shirt, and the woman on the right has red hair, glasses, and is wearing a white top. All three are wearing yellow lanyards with badges.

    04. You make your entrance

    A campaign your audience recognises, remembers, and responds to. And a system you can build on next season.

How to work together?

Learn the system, do it yourself.

$0 AUD

Download the guide used to design campaigns for festivals, venues, and cultural institutions.

For art marketers who wants to build their own campaign following our trusted and proven process.


✓ Professional framework

✓ Step-by-step method

We design the campaign for you.

Price upon request

From key art to final assets, we build the full system your campaign needs.

For established cultural institutions and festivals who want a strong, coherent visual campaign without managing the process internally.


✓ Professional framework

✓ Step-by-step method

✓ Custom key art

✓ Campaign collaterals

✓ Implementation support

The results speak for themselves. Fortunately, so do our clients.

In their words

5.0 stars on Google

“Release The Zebra is peerless in integrating the creative vision of our festival with the bright and punchy vibes of our audience-facing brand. Adaptive, visionary, multidimensional and innately skilled in their craft.”

— Chris Luscri, Festival Director at RGFF

“They are incredibly reliable, have outstanding communication skills, and have really meticulous attention to detail. Release The Zebra is an asset to anyone fortunate enough to work with them.”

— Sarah Jackson, Campaign Manager at Victorian Opera

“Their work has really elevated the festival's appearance — everyone loved the branding and lots of people pointed out how cool the posters were. They have helped set the festival up for success ongoing.”

— Darius Family, Festival Producer at RGFF

I didn't arrive in the arts, I came from it.

A word from our founder

I'm Anaïs, founder of Release The Zebra.

Before I ever opened a design brief, I was in rehearsal rooms figuring out how to make an audience feel something through stage direction. A Master's in Visual Communication gave me the tools to translate that into campaigns. Ten years in design gave me the clients to prove it works.

When you work with us, you're not just getting a studio that can design. You're getting one that understands what's at stake when your season announcement goes out, and what it takes to make it land.

Your next season is a chance to do something memorable.